Tuesday, August 30, 2005

Food's Moods

Throughout my not-quite-30-odd years, a few commonplace things have consistently eluded me. The most prominent of these is the seemingly simple act of eating food with a knife and a fork. Now, I'm fairly certain there's some devilishly straightforward trick that the rest of the world isn't letting me in on; some way of ambushing the steak before it jumps off your plate, or of tricking the spaghetti into thinking your fork is actually a pretty nice place to hang out. Everyone insists, however, that this is just me being clumsy. Nothing more, nothing less.

I've therefore come up with a theory that suits me, and that theory is that food simply doesn't want to be eaten. Think about it for a second, and you'll see that despite being palpably untrue, the idea does hold some appeal, yes, yes? Your food desperately fears mastication and digestion, and there are only a select few persons in the world sensitive enough to pick up on the harrowing psychic screams of the doomed kielbasa, let alone the quietly mournful vibes of the forlorn potato. Those persons are myself, some guy in Beijing called Xu, and successful film and television actor David Spade.

My hypothesis, bullshit though it may be, is further strengthened by the fact that other skills involving manual dexterity (such as typing, playing the piano and tapping out the artfully intricate sequence of complex commands necessary to kick your motherfucking ass with Lei Wulong, motherfucker) are not a problem for me at all; to the contrary, I can claim a high degree of proficiency in most of them. It is therefore only in the arts of silverware kendo my fingers fail me.

Viewed in this unique and totally wrong way, my inability to use a knife and fork like other people is transformed from "maladroit fumblings of utensil-challenged yokel" to "unconscious expression of divinely charitable nature." I like this view much better, even if I always end up eating the food anyway.

I mean, at least I made an effort, right? Not like you soulless pricks.


Next week on Things Beyond My Faculty: Putting Out Cigarettes. Stay tuned.

Mo'

Wednesday, August 24, 2005

The Land of Nod, Pt. 1

So I'm sitting in this room, right, like a hotel room, with a double bed and two nightstands. The room is septagonal in shape, with wall segments of irregular length lending it a strange asymmetrical eerieness. On the wall opposite the bed are two elevators with shining chrome doors and frames; they look like the elevators you'd see at the Sears Tower or the Waldorf Astoria. "Fancy NY Elevayters," as I perhaps once heard a cowboy say.

I'm sort of milling around the room when I suddenly remember that - holy fuck - the baby's here and I forgot about it! Running to the other side of the bed, I find a baby wrapped in light blue linens, not crying, not smiling, just kinda lying there looking at the ceiling. I feel an intense wave of love and caring for this child, intermingled with guilt for having forgotten it there; after picking it up, I walk around the room for a little while, rocking it and cooing to it. It's unclear whether the baby's mine, but there is an intensity to my affection for it that suggests some form of connection.

Suddenly there are two other people in the room, a young couple dressed in black. As I turn around to face them, standing by the bed, there is an awkward moment; obviously we've both ordered the same room or something, and either they or I will have to leave. My awkwardness is compounded when I realize I'm no longer holding the baby, and that it is, in fact, back on the floor by one of the nightstands. Sheepishly I go back to where the baby is, pick it up and make my way to the elevators. Without using words, the couple and I seem to have decided that the room is theirs.

I enter the left elevator with the now-sleeping baby in my arms, pushing the top button (I forget the number) as the chrome doors close behind me. It goes up, then stops, goes back down, stops, then goes back up. No matter which floor I push, the doors won't open. I look down at the child. Its eyes are open and it's looking at me.

"I am the child who dreams the world," it says, and then I wake up.

And I didn't even do any drugs last night.

Mo'

Tuesday, August 16, 2005

You Think You've Got Me.

You think you have the problem cordoned off; that I'm just going to stay up on this mountain until I starve to death or crawl down with my hands up, beseeching your forgiveness. But that ain't gonna happen, you worthless punks, not in this lifetime. When you least expect it I'm going to rain the devil's own diarrhea down on your scrawny hides. I'm going to send every last one of you to the purgatory you so richly deserve.

And then, you bastards, the town of Angel Pine will burn.

I've got a minigun, a katana, a parachute, some armour and a bicycle.

Let's see what you brought to the party.

...

Why no ma'am, I haven't been playing any Grand Theft Auto at all.

Mo'

Friday, August 12, 2005

Mylo

I'm late to the party. I just discovered Mylo.

I heard his album when it first came out, and it didn't impress me at all. I seem to recall using words like "derivative," "boring" and "uninspired." I see now that I need to check my vocab, bitch.

I don't know how these things happen. Repeated exposure plays a role, sure. Others' opinions weigh in, and all that jazz. But the gap still seems unfathomably wide to me; a year ago, my hate for this music was almost palpable and now, almost without my noticing, I'm ready to go down on my knees in a dark alley for it.

It could be that I'm just becoming a curmudgeon. I've hated most of my favorite artists' latest albums: the Beastie Boys' Five Boroughs effort sounded to me like the dying rankle of a once-great poet, the Chemical Brothers' Push the Button is a complete travesty from top to bottom and Björk's whateverthehellitwascalled was a piece of work whose artistic value would have increased enormously by the inclusion of some actual music.

So apparently I have a "Hate All Incoming Music" switch somewhere, and if it's making me miss out on stuff like Mylo then it needs to be turned off, god damn it.

Moral of the story?

The latest Björk album fucking sucks.

Mo'

Thursday, August 11, 2005

It's Tomorrow Already

I'm sitting here watching a William Gibson documentary where the man speaks of how fast the world is being flung into the future, how post-geographical cyberspace society and technological advances are shaping tomorrow in ways no one can foresee.

I'm sitting here watching this documentary on my computer while a friend is having a casual phone conversation with his girlfriend halfway across the world. At my fingertips, just a few clicks away, is a wealth of media, mounds of detailed information on whatever subject catches my fancy. I can go most places in the world and still have instant access to all my assets and a direct line to everyone I know back home.

Whenever I so please, I can begin a new life in any of a number of cyberspace worlds, self-contained universes with their own social customs and rules of law, and I can immerse myself however deeply I see fit. With every passing day, the physical world becomes less of a necessity and more of an option.

It could be argued that this vision of the world as an evolving techno-scape is westernocentric (maybe even to the point of naïvete), but even taking into account the poverty experienced by vast tracts of the world, technological advances - and their very real influence on parts both east and west - are constantly growing in both scope and application.

For us lucky(?) few, the future isn't just here already; it has already passed, and we don't realize it because we're sitting on the other side, eyes on the horizon. What comes next is anybody's guess.

Mo'

Sunday, August 07, 2005

Porno Poetry

Yesterday two friends of mine decided, as you do, to look up the phrase "monster cocks" on Google. This was done in a spirit of pure scientific inquiry, the specifics of which elude me because I was really fucked up on drugs just when it happened.

What the search yielded were a bunch of porn pages replete with keyword lists designed to ensnare search engine-happy whippersnappers on their first youthful prowl through the fucked-up wastelands of internet porn. These keyword lists, it was discovered, are hilarious when read out loud and imbued with purpose through dramatic vocalization. When read out loud as poetry, however, they reach new levels of abstract communication.

And thus I present to you my latest poem, "Runner Thompson."


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Horse cock dicks
sporting goods,
horse cocks
chicks with dicks.

Big Dick Pics
girls
fucking huge cocks

Big Thick Massive Cocks
huge penis jizz

Big cocks with huge cocks and big dick.

Big dicks with giant cock and huge penis.

Big cocks monster cock
big dick in tight pussy
draw cartoon character, really big cock
amateurs pussy ass fucking.

big dicks fucking tight pussy big dick.

Male cock hard cock black cocks long cock black cocks monster of cock large cocks massive cock black cocks boy cock cock sucking huge black cock mega cock

cock

----------------------

I leave you with that.

Mo'